Photo: A de-saturated look at one of my previous beach photos.

Of all places to find inspiration for creative work in Photoshop, would you believe this one came from Windows XP?

I had this photo as my desktop background on my office machine – which unfortunately is still running the ancient operating system.  For those of you that might remember it, the Shut Down sequence fades your desktop to black and white in the background. And there you have it.

I couldn’t help but keep some of the color in the blue skies and a touch in the water, but always open to feedback.

– Kris

Another subtle but (I think) effective touch up to an old favorite with a minor tweak in Adobe Camera Raw and Topaz Adjust.

The Before Image

Overall a good image to start with.  Unfortunately it was not shot as a RAW file, so my options in ACR for recovering details in the shadows was somewhat limited. Fear not, though, as Topaz Adjust was able to help out there.

The After Image

The first change I made was in ACR to adjust the White Balance, since this was taken indoors and before I really knew how to use the Custom WB feature on my Canon 20D. You can see that effect in the white sheet under our furry friend here. From there, I increased the exposure compensation just a tad, but not too much because this was not a RAW file.

Next up, Topaz Adjust had its turn using the Exposure Correction preset and tweaking the Detail tab just a bit. You can see from the detail around his eyes and nose where there’s more detail and texture from his fur.  In the resulting image, his fur does end up looking a little lighter than it was in real life, but I’m willing to except that for the additional detail it provides.

Missing Our Little Friend

The photo is more special now than ever because our furry little friend is no longer with us. He passed last summer while fighting with a few medical issues on and off. This is by far my favorite image of Sky, and seeing it makes me wish I could still take more.

Thoughts?

Just like all editions of the Before and After series, let me know what you think of these adjustments and any other suggestions you might have.

– Kris

Photo: Our bunny Star in the process of launching out of her cage.

“Bunny blur” almost sounds like a technical term, doesn’t it?

Since Star here is unofficially becoming the site mascot when changes are made or things go wrong, I figured it would be fair give her the spotlight every now and again.  I’m also in the process of touching a few of her and our other rabbit – who has since passed – to move over to my photonelly flickr account, so I’ll probably have a few more uploaded in the days/weeks to come.

For now, check out the bunny tag for more photos of our furry friends.

- Kris

Photo: Iconic green palm trees against cloudless blue sky.

Grabbed this shot back in ‘07 while walking around the grounds of the Westin Maui Resort in Ka’anapali. We were just taking in the sights – as it was our first return visit to Maui – and happened to look up and decided to snap this one. It became an instant favorite.

A Different Look

I posted this image in a different form about a year or so ago when I was playing around with AndreaMosaic. Here’s another look at that image.

Click on the image to see a larger view on Flickr where you can see all the tiny little photos it’s comprised of. Seeing as I’ve been to Maui two more times since I last played with AndreaMosaic, I should probable give it another whirl.

Photo: A different look at my Big Dipper image thanks to a cropping suggestion from Andy Beal.

What can I say, there may not be such a think as a “finished” image. After a great tip from Andy in yesterday’s Before and After post, I went back into the darkroom and spun this image out of Photoshop.  Many thanks to Andy for not only identifying the potential for a new look for the original image, but also for taking the time to leave a comment.

Moving Heaven and Earth

Okay, maybe just heaven.

My first attempt at this cropped version was a little off.  If you check the original image, you’ll notice that the right-most star in the Big Dipper constellation was actually captured to the right of the two chairs in the foreground. Now look at this image again.

Bet you wouldn’t have noticed it if I didn’t point it out, eh?

It was pretty easy to do, actually, by just duplicating the layer, moving it to the left and adding a gradient mask to blend it in.

Why Stop There?

I’m leaving this image as-is for now, since I like the simplicity of the scene and they well recognized Big Dipper – which was the reason I shot the scene in the first place.

At some point, I could take it a step further, and instead of the Big Dipper, I could swap it out for this image of the Milky Way I shot on Maui last September. The possibilities – like the universe in this case – truly are endless.

– Kris

The previous two editions in my Before and After series have featured the use of the Topaz Adjust plug-in for Photoshop.  Sometimes that extra creative step isn’t needed, and the following images demonstrate.  Many times it’s just a few minor tweaks in Adobe Camera Raw that will do the trick.

The Before Image

Most people will recognize that as the Big Dipper constellation, which I captured here over the waters of Sturgeon Bay in Sept. ‘08. It’s a neat little shot, but I wasn’t happy with the orange tint. Also, I had took a few liberties when I cropped this image initially, so I thought there might be something worth bringing back into it on the redux.

The After Image

I took a few different approaches to redoing this image. What I ultimately ended up with was processing the RAW image twice – known as mutli-RAW processing – to preserve some of the darkness in the sky while adjusting some of the foreground elements.

By processing the elements of the scene independently on separately layers and applying the changes using a gradient mask, I essentially keep the best of both worlds and have an image more to my liking with relatively little extra effort.

Thoughts?

For one, I definitely like the detail on the right with it’s color more in check and not gushing orange hues.  However, each time I look at that after image, I still think to myself, “is the foreground too bright?”. Since I save checkpoints at each step in my workflow, it wouldn’t be that difficult to go back and just darken the chairs on the pier just a tad.

Well, what do you think?

Photo: A colorful Maui Sunset over the island of Lanai as seen from Maui’s west coast in Ka’anapali.

One of my favorite sunsets from Maui – and there are many to choose from.

No two sunsets on the islands are ever the same, so when you see the colors and clouds like this, you can’t help but grab a camera and try to capture it forever. You never know if you’ll see one like it again!

– Kris

Photo: Live music featured aboard a sunset cocktail cruise with the Pacific Whale Foundation.

One of my shots from our 2nd Maui visit back in ‘07 while out on the water. With all the great views of the shoreline, the resorts, mountains and other boats on the water, not to mention the islands of Molokai and Lanai at sunset, there was more than enough to shoot if you could handle your viewfinder along with the motion of the ocean.

I broke away from photographing the gorgeous vistas back towards shore to frame this candid while the musician was playing. While I wasn’t happy with the placement of the microphone in front of his face – you did notice that, didn’t you – it wasn’t my place to ask him to move it.

The running joke here is that if I had moved to my right any further for this shot, I would have been doing underwater photography instead.

Time for a new installment in my Before and After series. For this week, it is another pair of adjustments made in Adobe Camera Raw and Topaz Adjust.

The Before Image

This image was taken at D.T. Fleming Beach in September ‘07, in the early afternoon. I really liked the composition, with the symmetry between the water and the clouds above. The rocks add a nice touch in the foreground, although the horizon is off and the colors are a little dull.

The After Image

A little color saturation, straightening the horizon, and a little cropping (notice the difference in the rocks) in ACR set this one up for Topaz Adjust. I chose the Photo Pop preset in Topaz Adjust to help achieve the look you see here.

Another Old Photo Saved

I like to think the next time I’m at D.T. Fleming Beach with my camera gear to find a scene like this, I would have learned enough in the last 2 1/2 years to get it better in-camera first. I also like to think I’ll be back to Maui sooner than later.

Until that next 9 hour plan ride to that beautiful island in the Pacific, I will continue pushing my post production skills and working on new tools and techniques to create these “new” images, while at the same time reliving the great memories of capturing the originals.

Stay tuned for another edition of Before and After next week as more of my early works get a new look on the digital life.

– Kris

It’s been fun being out “on location” up here in Door County, WI this weekend. I managed to take shots for a few different ideas and images that I’ll be processing when I return home, including a friend’s hockey game in Green Bay we found out about that same morning. Once I’m back home and in front of my 24” monitor in the digital darkroom, I’ll be sharing those results, soon.

In the meantime, and to keep the stream of images coming, I thought I’d start a new series to showcase some of my work in the digital darkroom and touch on some of the tools I use from time-to-time. These aren’t going to be full tutorials, more of just a little peak under the covers and maybe a little inspiration for others in the process.

For the first image in this new series, the featured tool is Topaz Adjust.

The Before Image

The image below was one I was already particularly fond of. It was taken back in April ‘08 on a visit to Maui’s east coast.

To me, this misty view of Koki Beach had a certain mystique to it, and my original attention was to enhance that aspect of the image. What happened, however, was the creation of an entirely new, maybe even more powerful, image as a result of using the Spicify preset in Topaz Adjust.

The After Image

Since I hadn’t visualized this artful look as my intended output, my initial reaction was a surprising “Whoa!” It certainly was an entirely new image, and it was love at first sight. I toned down the saturation just a tad, removed a little noise, and that was it. Sure, that mist is all but gone, but it’s not missed that much now.

More About Topaz Adjust

Topaz Adjust, from Topaz Labs, is still relatively new to me. I first heard about it from a keynote presentation by Rick Sammon entitled “Awaken the Artist Within” at the ‘09 Maui Photo Festival. I will have more to say about Topaz Adjust when I feature it as part of my revamped Software series here at the blog, but if you haven’t experienced it for yourself yet, go ahead and grab the 30-day trial from their website.

If you’re still not convinced, stay tuned to blog for more before and after images, and I assure you that you’ll be a little curious about what it can do for the large archive of photos you have on that hard drive of yours.

Thoughts?

I admit beauty is in the eye of the beholder, as we all have different tastes and dislikes. Please share your thoughts on the particular outcome shown above, as the broader range of opinions and feedback I receive helps me to gauge which direction my little experiments are headed.

As this is the first post in the new series, I’m interested in hearing your thoughts on it. As stated, my goal is to showcase a little of my creative side and maybe inspire others out there to tinker a little bit outside of what they do now. Future posts in this series will likely be less wordy, so I hope to crank them out with a decent amount of frequency.